Grahn, Judy

Another Mother Tongue: Gay Words, Gay Worlds. Boston, MA: Beacon Press, 1984 (reprint 1990).

Another Mother Tongue: Gay Words, Gay Worlds. New York, NY: Quality Paperback Book Club, Bookspan, 2000.

Blood, Bread, and Roses: How Menstruation Created the World. Boston, MA: Beacon Press, 1993.

The Bowl Speech. San Francisco, CA: Interval Press, 1975.

The Common Woman. Oakland, CA: Womens Press Collective, 1973, 1980.

Descent to the Butch of the Realm. Oakland, CA: Inanna Institute, 1970s (?).*

Descent to the Roses of the Family. Iowa City, IA: Common Lives/Lesbian Lives, 1986.*

Edward the Dyke and Other Poems. Oakland, CA: Women's Press Collective, 1971.

Elephant Poem Coloring Book. Oakland, CA: Women's Press Collective, 1972.

The Highest Apple: Sappho and the Lesbian Poetic Tradition. San Francisco, CA: Spinsters, Ink, 1985.

The Inheritance. St. Paul, MN: printed at the Toothpaste Press for Bookslinger, 1981.*

The Judy Grahn Reader. San Francisco, CA: Aunt Lute Books, 2009

Love Belongs to Those Who Do the Feeling: New & Selected Poems (1966-2006). Los Angeles, CA: Red Hill Press, 2008.

Really Reading Gertrude Stein: A Selected Anthology with Essays by Judy Grahn. Freedom, CA: Crossing Press, 1989.

Mundane's World: A Novel. Freedom, CA: Crossing Press, 1988.

The Queen of Swords (Poems). Boston, MA: Beacon Press, 1987.

The Queen of Swords. Oakland, CA : Judy Says, 1994.

The Queen of Wands: Poetry. Trumansburg, NY: Crossing Press, 1982.

Sacred Blood. Unknown, 1981.*

She Who: A Graphic Book of Poems. Oakland, CA: Diana Press, 1977.

Spider Webster's Declaration: He is Singing the End of the World Again. San Francisco, CA: Interval Press, 1983.*

A Woman is Talking to Death: Poem. Illustrations by Karen Sjöholm. Oakland, CA: Diana Press, 1977.

The Work of a Common Woman: The Collected Poetry of Judy Grahn, 1964-1977, with an introduction by Adrienne Rich. Oakland, CA: Diana Press, 1978.

The Work of a Common Woman: The Collected Poetry of Judy Grahn, 1964-1977. Trumansburg, NY: Crossing Press, 1978

The Work of a Common Woman: The Collected Poetry of Judy Grahn, 1964-1977. New York: St. Martin's Press, 1980.

The Work of a Common Woman. London: Onlywomen, 1985.

True to life adventure stories. Oakland, CA: Diana Press, 1978.

True to life adventure stories. Trumansburg, NY: Crossing Press, 1983.

Online Journal

Metaformia: A Journal of Menstruation and Culture. http://www.metaformia.org/

Sound Recordings

History of Lavender. Los Angeles, CA: Pacifica Radio Archive, 1983.

Judy Grahn, 4-13-83. San Francisco, CA: American Poetry Archive at the Poetry Center San Francisco State University, 1983.

Judy Grahn Poetry Reading, Nov. 20, 1985. Michael Davidson, 1985. Cassette Tape.

Judy Grahn 10.2.1974 Reading. San Francisco, CA : Poetry Center & American Poetry Archives, 1974. Cassette Tape.

Lesbian Concentrate. Oakland, CA: Olivia Records, 1977. LP recording.

Where Would I Be Without You: The Poetry of Pat Parker and Judy Grahn. Los Angeles, CA: Olivia Records, 1976.

A Woman is Talking to Death & Other Poems. Washington, DC: Watershed Foundation, 1990. Cassette tape.

The Women Weavers with Judy Grahn Ntozake Shange, and others. Tarabu Betserai, executive producer Tarabu Betserai. North Hollywood, CA: Pacifica Radio Archives, 1989.

Films

Gloria Anzalduá and Judy Grahn. San Francisco, CA: American Poetry Archives, San Francisco State University, 1988.

Last call at Maud's. Paris Poirier, Director. New York, NY: Water Bearer Films, 1993. DVD, 77 minutes.

Women Working in Literature. Kathleen Fraser, Director. San Francisco, CA : Poetry Center/American Poetry Archives, 1991. VHS.

EDITORS NOTE:

This bibliography was challenging to construct because Grahn is one of the most widely circulated lesbian-feminist poets during the 1970s and 1980s. I have omitted a complete bibliography of publications of individual poems. There are particular citations of which information is incomplete or confusing in library database and I have not examined the source. These citations are followed by an asterisk (*). I welcome feedback to correct, clarify and expand this entry.